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Scritture d'attore: rifrazioni artudiane nel teatro italiano (Carmelo Bene, Rino Sudano, Societas Raffaello Sanzio)

Dessì, Alessandro (2012) Scritture d'attore: rifrazioni artudiane nel teatro italiano (Carmelo Bene, Rino Sudano, Societas Raffaello Sanzio). [Doctoral Thesis]

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Abstract

An ancient inside out philosopheme, CHORA, extrapolated from Timeo and utilized as a virus undermining the inside of platonic metaphysics; the protomodern and criticism’s notion, the SUBJECTILE, taken away from art of painting or sculpture and applied to the theatre; and two exquisitely theatrical concepts, OB-SCENE and FOURTH WALL: the concerted involvement of these four, seemingly heterogeneous, conceptual instruments makes it possible to find out the core of Artaud’s theatricality to be as glacial as the extremely rarefied stage wich Rino Sudano ob- scenely trod; the PHONÉ, dear to Carmelo Bene, far from being the voice, to be its rest; and behind the rest; and behind the iconic proliferation in the Socìetas Raffaello Sanzio’s scene the contrary to hide it self: namely a loathing for the neurotic contemporary compulsion in bringing forth images.

Item Type:Doctoral Thesis
Date:23 February 2012
Tutor:Asole, Francesco
PhD classes:Ciclo 23 > Studi filologici e letterari
Coordinator:Lavinio, Cristina
Institution:Universita' degli Studi di Cagliari
Divisions:Dipartimenti (fino a dicembre 2011) > Dipartimento di Filologie e letterature moderne
Subjects:Area 10 - Scienze dell'antichità, filologico-letterarie e storico-artistiche > L-ART/05 Discipline dello spettacolo
Uncontrolled Keywords:chora, subjectile, ob-sceno, ob-scene, quarta parete, fourth wall, phonè, Artaud
ID Code:665
Deposited On:14 Mar 2012 09:15

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